- #I shook my family tree and a bunch of nuts fell out movie
- #I shook my family tree and a bunch of nuts fell out series
The first all-Asian Hollywood film in twenty-five years, it outgrossed every romantic comedy released in the past decade, and Wu was nominated for a Golden Globe for Best Actress, making her the first Asian woman to be recognized in the category in forty-five years.
#I shook my family tree and a bunch of nuts fell out movie
Last summer, she transitioned to movie stardom, playing the lead in “ Crazy Rich Asians,” an ecstatic fantasy of romance and opulence set in Singapore.
#I shook my family tree and a bunch of nuts fell out series
Five seasons of the show have now aired, and Wu has been nominated for a Critics’ Choice Television Award for Best Actress in a Comedy Series four years running, becoming one of the most famous Asian-Americans to have emerged from television in decades. But 2015 was her breakout year, thanks to her role in ABC’s “Fresh Off the Boat,” the first Asian-American-led network sitcom in twenty years. Wu had workshopped the film at the Sundance Directors Lab back in 2015, and not long before that she had been a full-time waitress, forty thousand dollars in debt, with only a few acting credits to her name. “I Was a Simple Man,” an indie project with a tiny budget, had taken a while to come together. Yogi relented, deadpanning, “O.K., fine, make it like mine.” Her objective achieved, Wu dragged a moist cloth over her face, revealing her fine pores. “Mine . . .” Yogi said, raising his bushy thickets. “I think it needs to be more natural, don’t you? More like yours, maybe?”
Wu gestured at her face, smooth as the inside of a seashell, and he nodded approvingly just as she said, “Too much, right?” She pointed to her touched-up brows. “He probably liked it because he thought the girl was hot.”Īfter a while, Yogi wandered over, clutching a cup of coffee. Jordann explained that the film’s writer and director, Chris Yogi, had shown her a video of an actress wearing the look he envisaged for Wu’s character. Appraising her face once more, Wu said, “I mean, I feel like I’m at a magazine shoot, but I’m not sure I feel like the character.” “Elsie Fisher in ‘Eighth Grade’?” A sorry shake of the head. “Like, you know how Brie Larson looked in ‘Short Term 12’?” Jordann hadn’t seen the movie. Wu cast around for an example of what she was hoping for. Eventually, Wu cocked her head, grimaced, and said, “I feel like you are making me look too pretty.” Wu kept close watch in the mirror as the makeup artist, a woman with wrist tattoos named Jordann, worked on her face. He assured her that what she felt was just freshly curled strips of hair brushing her skin. When the stylist, a genial man whose beard and burly physique gave him the air of a tropical Santa, imparted a gentle wave to her hair, she yelped and winced repeatedly, convinced that she’d been burned.
Wu wore a floral dress with swirls of turquoise, and a waxy white orchid was about to be pinned behind her ear. It was the first day of principal photography on the movie “I Was a Simple Man,” an intergenerational family drama set partly in nineteen-fifties Hawaii, and Wu was being readied for continuity photos of her character, Grace, an ethnically Chinese woman whose family has lived in Hawaii for generations. that the ice in a cooler of LaCroix near the foot of Constance Wu’s chair had all but melted an assistant heaped up the few remaining cubes around the cans. The mid-July sun at Waialua, on the north shore of Oahu, was already so unforgiving at 9 a.m. This content can also be viewed on the site it originates from.